By David Hallberg
Beginning along with his real-life Billy Elliot childhood—an all-American tale marred by way of excessive bullying—and culminating in his hard-won come-back, Hallberg’s courageous memoir dives deep into existence as an artist as he wrestles with ego, pushes the bounds of his physique, and searches for ecstatic perfection and achievement as one of many world’s so much acclaimed ballet dancers.
While wealthy intimately ballet enthusiasts will adore, this can be a booklet that anybody attracted to a lifetime of creativity will love. Hallberg displays on topics like thought, self-doubt, and perfectionism as he's taking readers into day-by-day category, rigorous rehearsals, and positive performances, trying to find new interpretations of ballet’s maximum roles. He unearths the loneliness he felt as leaving the United States to affix the Paris Opera Ballet, the ambition he needed to tame as a brand new member of yankee Ballet Theatre, and the explanations at the back of his headline-grabbing selection to be the 1st American to affix the pinnacle rank of Bolshoi Ballet, tendered by way of the inventive director who may later be the sufferer of a vicious acid assault. Then, as Hallberg played in the course of the global on the height of his skills, he suffered a crippling ankle damage and unsuccessful surgical procedure resulting in an agonizing retreat from ballet and a good reexamination of his whole life.
Combining his powers of statement and reminiscence with emotional honesty and inventive perception, Hallberg has written an outstanding ballet memoir and an intimate portrait of an artist in all his vulnerability, ardour, and wisdom.
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A Body of Work: Dancing to the Edge and Back by David Hallberg
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